Yesterday, we went to preview Michael Moore’s Sicko at the Star Cinema (thanks Joanna!). Both Avinash and myself agree that Moore’s last documentary is way much better than Farenheit 9/11 with which we had not been impressed at all. In fact, I had been totally disappointed with the amateurish cinematography of Farenheit 9/11 and thought it did not deserve the Palme d’Or at all. But, I guess at the time, they wanted to reward Moore’s daring in terms of political content rather than his filmmaking skills…
Moore’s mastery of cinematography and story-telling have much improved since then. In Sicko, he does not use any of the facile tricks he used in Farenheit and he succeeds in providing a compelling narrative that casts hundreds of protagonists: the sad clients of health insurance companies in the USA. He paints a very dark picture of the American health care system whose sole objective seems to be money at the expense of their clients. Moore shows a vast mafia-like organisation that lobbies the American Congress and even buys top politicians including his ‘dear’ friend George Bush so that laws that allow them to literally rob their clients get voted. And he visits several countries (Canada, UK, France and even Cuba) to show how the US system is perverse in comparison.
That film made us not want to live in the US, at all. Even made us thankful that we live in Mauritius where there is a quite decent free public health care. And here I’m specially thinking of my mother who had successful major heart surgery for free a few years ago…